My office should be declared an archaeological dig site.
I have spent the better part of two hours doing nothing but excavating, occasionally — ok, frequently dusting off folders, books, questionable objects that have not been used or moved in over a year, despite the use of my office by people who were holding together the many loose ends I left when I walked away from campus last summer. Midway through the year I learned that my bookshelves were being used as the backdrop for faculty and student video profiles that were filmed in my office, which explains why there was a large white umbrella in taking up residence in here when I popped in last spring.
Finally, the over-eighteen-inch high pile of papers has been sorted through. Most of it is filling the newly emptied green, plastic, recyclables receptacle in our office suite — and most of it was packaging: envelopes, filler advertisements, plastic wrapping for journal issues, bubble wrap, and more envelopes. I heard forests cringing all around me, their cries cutting through the crooning tunes courtesy of my Carole King & James Taylor Pandora station.
What stayed: copies of research participant permissions that were not filed before I left; copies of grant reports and related materials; journal issues that I have not yet looked through and the ones that contain pieces I have authored or co-authored;
Among the very special finds was a 2009 calendar that features the paintings of life in small town Norway, Maine, all painted by the then-90+ year old Duncan E. Slade. I had spent a week in Maine with my in-laws the previous summer that had included a visit to Slade’s studio, where I first learned about underpaintings, and about the artist’s life, including his decision to pursue a career in teaching at the age of 51. The four of us — Slade, my in-laws, and I — spent the better part of an hour talking about these and a range of other topics, including the strange symbiosis that exists between Philadelphia and Maine. At some point, my in-laws must have gone back into town and had the artist sign the calendar for me, which they presented to me the following Christmas. Gems, all of them. So I let myself take a few minutes to look through the calendar that included this painting for October that speaks to me loudly any time of year.
And then, quite unexpectedly, a piece of notebook paper fell onto the wobbly table top below me. I recognized the handwriting immediately. The rounded letters written in black ball point stood out and coaxed their neighbors to bend slightly, too. Capital letters mixed with lower case throughout this note that was written by one of the secretaries in a different program, whom I had gotten to know when I first arrived at my university. She was a sharer of stories, a sister, a grandmother, ready with a warm embrace, an infectious smile and sweet voice that belied her wicked wit. Walking past and seeing her in the doorway was always a highlight, an excuse to exchange laughter, momentary and agenda-free respites from what can feel like intractable mania. The last time I saw her, the familiar sturdy gait with which she would amble slowly and deliberately through the school halls, had been stripped away in a manner that only life-stripping diseases can do. Her carefully coifed salt and pepper hair was replaced by a closely cropped head of small curls. Thick glasses were a permanent fixture on her face, and they allowed me to recognize her when I attended the farewell luncheon being given in her honor last summer. She was surrounded by people and chatter and food and others who, like me, also hadn’t known the full extent of her illness.
In the letter, she references a conversation in which we discussed her grandson, about whom she was concerned and spoke of often. Hers is a letter of thanks, and she concludes her thoughts in this way:
“I (we, my [dept] coworkers) respect you so much. … Don’t let anything or anyone change you — It’s important to your students and to those with whom you interact. Respectfully, I—–“
Oh, but dear I… you changed me. With your beauty, your grace, your persistence, and caring. And I am ever thankful for that.
And now, back to the big dig.